P.S.1 Contemporary Art Center
22-25 Jackson Ave at the intersection of 46th Ave
Long Island City, NY 11101
http://ps1.org/
KENNETH ANGER
The first major survey of the filmmaker’s body of work at a U.S. museum in over a decade. Making films since 1947, Anger is considered internationally as a pioneering and influential force in avant-garde cinema. His ground breaking films have inspired the likes of Martin Scorsese, Gus Van Sant, and Guy Maddin. The exhibition will focus primarily on Anger’s early iconic works including Fireworks (1947), Puce Moment (1949), Eaux D’Artifice (1953), Inauguration of the Pleasure Dome (1954 - 66), Scorpio Rising (1963), Kustom Kar Kommandos (1964 - 65), Invocation of my Demon Brother (1969) and Lucifer Rising (1970 – 81).
Kenneth Anger’s work constitutes a radical critique of Hollywood, often evoking and referencing pop icons within occult settings and depicting youth counterculture in the midst of violence and eroticism. Anger does not use a narrative-based style, but rather lyrically explores themes of ritualistic transformation and transfiguration. His films are imbued with a baroque splendor stemming from the heightened sensuality of his opulent colors and imagery. They are often accompanied by a haunting soundtrack, composed by renowned musicians such as Mick Jagger and Bobby Beausoleil.
The exhibition design, consisting primarily of red and silver vinyl partitions and wall and floor coverings, is evocative of the atmosphere of Anger’s films. It extends the sumptuous settings that are depicted on screen into the exhibition space, creating an immersive viewing experience.
Kenneth Anger’s work constitutes a radical critique of Hollywood, often evoking and referencing pop icons within occult settings and depicting youth counterculture in the midst of violence and eroticism. Anger does not use a narrative-based style, but rather lyrically explores themes of ritualistic transformation and transfiguration. His films are imbued with a baroque splendor stemming from the heightened sensuality of his opulent colors and imagery. They are often accompanied by a haunting soundtrack, composed by renowned musicians such as Mick Jagger and Bobby Beausoleil.
The exhibition design, consisting primarily of red and silver vinyl partitions and wall and floor coverings, is evocative of the atmosphere of Anger’s films. It extends the sumptuous settings that are depicted on screen into the exhibition space, creating an immersive viewing experience.
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